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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Blending the Wet and Dry signal in a compressor applies:
FET compression
Parallel compression
Opto compression
Multiband compression
2
The classic Glyn Johns technique uses:
12 microphones
1 overhead, 1 side, 1 kick, 1 snare mic
2 overheads
1 overhead and 1 side mic
3
Peak drum levels should typically be set around:
0 to -3 dBFS
-30 to -50 dBFS
-20 to -30 dBFS
-3 to -9 dBFS
4
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Small Diaphragm Condenser
Large Diaphragm Condenser
Ribbon
Large Diaphragm Dynamic
5
Low level signals will be affected the same a high level signals running through a compressor. True or false?
True
False
6
Which of the following is a common kick mic known for its punch and body?
Audix D6
Shure SM7B
Shure SM57
Sennheiser e906
7
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
100 Hz
2000 Hz
50 Hz
500 Hz
8
Snare side mics are typically:
Ribbon Mics
Large Diaphragm Condensers
Dynamic Mics
Small Diaphragm Condensers
9
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Requires phantom power
Clips on the rim of the drum
Has a high pick up range
Has a high pass switch
10
Which type of filter is helpful for reducing pedal noise on the hi hat?
Bandpass
Low Pass
Notch
High Pass
11
Which type of miking limits the pickup range of the mic on drums?
Close, on-axis
Off-axis
Distant
12
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
ORTF
Blumlein
NOS
XY
13
Always angle tom mics to avoid over resonating the microphone. True or false?
True
False
14
How should condensers be aimed for bongos and congas?
At the rim, 8-12 inches away
At the center of the drum, 12 inches away
At the center of the drum, 6 inches away
15
Which of the following overhead techniques has the widest stereo image?
Glyn Johns Variant
Spaced Pair
ORTF
XY
16
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
True
False
17
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
True
False
18
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
True
False
19
Which mics give the drum kit a sense of depth and 3D space?
Room Mics
Snare Side and Kick Out
Overheads
Close Mics
20
Kick In mics are almost always a __________ mic.
Large Diaphragm Dynamic
Large Diaphragm Condenser
Electret
Ribbon
21
Where is most of the hi-hat heard in most drum mixes?
The overhead mics
The snare mic
The room mics
The hi-hat mic
22
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Shorter
Longer
23
When recording live drums, it's common to blend close mics with distant mics. True or false?
False
True
24
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, and centers the snare
Increases phase issues, but centers the snare
Reduces phase issues, but makes the snare off-center
Logic Pro 503
Studio Series - Recording Drums
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