Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
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  • 1

    How should condensers be aimed for bongos and congas?

  • 2

    Snare side mics are typically:

  • 3

    Which type of miking limits the pickup range of the mic on drums?

  • 4

    Always angle tom mics to avoid over resonating the microphone. True or false?

  • 5

    Which mics give the drum kit a sense of depth and 3D space?

  • 6

    Where is most of the hi-hat heard in most drum mixes?

  • 7

    Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?

  • 8

    Blending the Wet and Dry signal in a compressor applies:

  • 9

    Peak drum levels should typically be set around:

  • 10

    Which of the following overhead techniques has the widest stereo image?

  • 11

    Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?

  • 12

    The classic Glyn Johns technique uses:

  • 13

    Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.

  • 14

    Angling both overheads equidistant at the center of the snare:

  • 15

    Kick In mics are almost always a __________ mic.

  • 16

    A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.

  • 17

    The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...

  • 18

    When recording live drums, it's common to blend close mics with distant mics. True or false?

  • 19

    Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?

  • 20

    Which of the following is a common kick mic known for its punch and body?

  • 21

    Which type of filter is helpful for reducing pedal noise on the hi hat?

  • 22

    The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.

  • 23

    Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.

  • 24

    Low level signals will be affected the same a high level signals running through a compressor. True or false?

Logic Pro 503
Studio Series - Recording Drums
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