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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Angling both overheads equidistant at the center of the snare:
Reduces phase issues, but makes the snare off-center
Increases phase issues, but centers the snare
Reduces phase issues, and centers the snare
2
How should condensers be aimed for bongos and congas?
At the rim, 8-12 inches away
At the center of the drum, 6 inches away
At the center of the drum, 12 inches away
3
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
False
True
4
Which type of filter is helpful for reducing pedal noise on the hi hat?
High Pass
Notch
Bandpass
Low Pass
5
Which type of miking limits the pickup range of the mic on drums?
Distant
Off-axis
Close, on-axis
6
Which of the following overhead techniques has the widest stereo image?
XY
ORTF
Spaced Pair
Glyn Johns Variant
7
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
ORTF
Blumlein
NOS
XY
8
When recording live drums, it's common to blend close mics with distant mics. True or false?
True
False
9
Which of the following is a common kick mic known for its punch and body?
Audix D6
Sennheiser e906
Shure SM7B
Shure SM57
10
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Has a high pick up range
Has a high pass switch
Clips on the rim of the drum
Requires phantom power
11
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Small Diaphragm Condenser
Ribbon
Large Diaphragm Dynamic
Large Diaphragm Condenser
12
Where is most of the hi-hat heard in most drum mixes?
The snare mic
The hi-hat mic
The overhead mics
The room mics
13
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Longer
Shorter
14
Which mics give the drum kit a sense of depth and 3D space?
Snare Side and Kick Out
Room Mics
Close Mics
Overheads
15
Peak drum levels should typically be set around:
-3 to -9 dBFS
-20 to -30 dBFS
-30 to -50 dBFS
0 to -3 dBFS
16
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
50 Hz
100 Hz
2000 Hz
500 Hz
17
The classic Glyn Johns technique uses:
1 overhead, 1 side, 1 kick, 1 snare mic
12 microphones
2 overheads
1 overhead and 1 side mic
18
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
False
True
19
Snare side mics are typically:
Large Diaphragm Condensers
Dynamic Mics
Ribbon Mics
Small Diaphragm Condensers
20
Always angle tom mics to avoid over resonating the microphone. True or false?
False
True
21
Blending the Wet and Dry signal in a compressor applies:
Opto compression
Multiband compression
Parallel compression
FET compression
22
Kick In mics are almost always a __________ mic.
Ribbon
Large Diaphragm Dynamic
Electret
Large Diaphragm Condenser
23
Low level signals will be affected the same a high level signals running through a compressor. True or false?
True
False
24
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
False
True
Logic Pro 503
Studio Series - Recording Drums
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