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Wavelab 10 101 - Mastering Workflows.
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  • 1

    What are the names of the three CD Markers?

  • 2

    What is the generally-accepted sample rate for film and video?

  • 3

    How many bands can the Compressor process separately?

  • 4

    How many audio applications can WaveLab provide?

  • 5

    What button is pressed for each filter to operate in linear phase mode?

  • 6

    Which two tabs are revealed when using the Audio Montage editor?

  • 7

    How many cores of your computer can the Batch Processor use?

  • 8

    Where do you enter the CD-Text?

  • 9

    Plug-ins assigned to the Playback Processing will process the file when editing. (True/false)

  • 10

    In which direction does the signal flow through the Master Section?

  • 11

    Which Loudess Meter configuration does the author recommend?

  • 12

    What is the current audio file standard for delivery to the general public? (Streaming)

  • 13

    What does the button that enables the playback of a Reference track look like?

  • 14

    What data can be garnered from the Errors tab?

  • 15

    Under most circumstances, where in the signal flow should the Limiter be placed?

  • 16

    Why are linear audio files larger and better-sounding than lossy files?

  • 17

    When saving a Master Section preset, what data is saved?

  • 18

    Name two tabs that are unique to the Montage editor.

  • 19

    What is an advantage of Montage fades compared to Audio editor fades?

  • 20

    Which Workspaces does the author recommend for getting started?

  • 21

    What is the keyboard shortcut for Global Analysis?

  • 22

    What tool is used for comparing mastered files to their originals at the same level?

  • 23

    Where would you install a mastering plug-in if you wanted it to process all the Montage files?

  • 24

    What are the three Ripple settings?

  • 25

    If you plan to record audio into WaveLab, what connection must be made?

Wavelab 10 101
Mastering Workflows
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